{"id":248,"date":"2023-06-27T10:07:13","date_gmt":"2023-06-27T08:07:13","guid":{"rendered":"https:\/\/2r3f.fr\/?page_id=248"},"modified":"2026-05-04T15:08:43","modified_gmt":"2026-05-04T13:08:43","slug":"publication-damanda-rueda","status":"publish","type":"page","link":"https:\/\/2r3f.fr\/index.php\/publication-damanda-rueda\/","title":{"rendered":"Publications d’Amanda Rueda"},"content":{"rendered":"\n

Rueda, Amanda (2004). \u00ab Films latino-am\u00e9ricains, festivals fran\u00e7ais \u00bb. In : Caravelle, cahiers du monde hispanique et lusophone<\/em>, n\u00b0 83, La France et les cin\u00e9mas d\u2019Am\u00e9rique latine, pp. 87-104.<\/p>\n\n\n\n

Rueda, Amanda (2006). M\u00e9diations et constructions des territoires imaginaires des \u00abcin\u00e9mas latino-am\u00e9ricains\u00bb. Le cas des Rencontres des cin\u00e9mas d\u2019Am\u00e9rique latine<\/em>. Th\u00e8se de doctorat en Sciences de l\u2019information et de la communication de l\u2019Universit\u00e9 Toulouse 2 Jean Jaur\u00e8s sous la direction de Robert Boure et de Pierre Molinier. [Disponible en ligne : https:\/\/journals.openedition.org\/cinelatino\/2053?lang=en<\/a>]<\/p>\n\n\n\n

Rueda, Amanda (2008). \u00ab 1989-2008 \u2013 20 a\u00f1os de cine latinoamericano: tendencias y evoluciones \u00bb, In : Cin\u00e9mas d\u2019Am\u00e9rique latine<\/em>, n\u00b0 16, pp. 18-31.<\/p>\n\n\n\n

Rueda, Amanda (2009). \u00ab\u00a0Festival de cin\u00e9ma : M\u00e9diations et construction de Territoires imaginaires\u00a0\u00bb. In: Culture & Mus\u00e9es<\/em>, vol. 9, n\u00b014. L\u2019\u00e9criture du patrimoine (Sous la direction de C\u00e9cile Tardy), pp. 149-171. [Disponible en ligne : https:\/\/www.persee.fr\/doc\/pumus_1766-2923_2009_num_14_1_1512<\/a>]<\/p>\n\n\n\n

Rueda, Amanda (2017). \u201cFestivales de cine y territorios imaginarios: an\u00e1lisis de una controversia geoest\u00e9tica\u201d. In : Cabral, Adilson ; Bola\u00f1o, C\u00e9sar ; Araujo, Denize ; Andacht, Fernando ; Paulino, Fernando (dir.), e-book New Concepts and Territories in Latin America,<\/em> S\u00e3o Jos\u00e9 dos Pinhais : Pagina 42, pp. 314-331.<\/p>\n\n\n\n

Rueda, Amanda (2018). \u00ab Festival et march\u00e9 : le r\u00f4le du festival Cin\u00e9latino de Toulouse dans l\u2019industrie du \u00ab cin\u00e9ma d\u2019auteur \u00bb \u00bb, In : Entrelacs<\/em>, n\u00b0 14. [Disponible en ligne : http:\/\/journals.openedition.org\/entrelacs\/4180<\/a>]<\/p>\n\n\n\n

Rueda Amanda (2018). L\u2019Am\u00e9rique latine en France \u2013 Festivals des cin\u00e9mas et territoires imaginaires<\/em>. Toulouse\u00a0: Presses Universitaires Mirail, 390 p. 9782810705580.<\/p>\n\n\n\n

Rueda, Amanda (2019). \u00ab Nuevas condiciones de la internacionalizaci\u00f3n de los cines de am\u00e9rica latina y plataformas profesionales de festivales. El caso de cine en construcci\u00f3n \u00bb, In : Archivos De La Filmoteca<\/em>, n\u00b0 77, pp. 59-78. [Disponible en ligne : https:\/\/ut3-toulouseinp.hal.science\/hal-03682612\/document<\/a>]<\/p>\n\n\n\n

Rueda, Amanda (2019). \u00ab Plataformas profesionales de festivales. Nuevas condiciones de la internationalizaci\u00f3n de los cines de Am\u00e9rica Latina \u00bb, In : Archivos de la filmoteca<\/em>, n\u00b0 77, pp. 71-91.<\/p>\n\n\n\n

Rueda Amanda (2022). De l’Am\u00e9rique Latine imagin\u00e9e aux suds globalis\u00e9s. Volume 3 : des festivals de cin\u00e9ma aux cin\u00e9mas transnationaux<\/em>, Sciences de l’information et de la communication, Universit\u00e9 de Toulouse, 142 p. [Disponible en ligne : https:\/\/hal.science\/tel-04878176v1<\/a>]<\/p>\n\n\n\n

Rueda, Amanda (2022). \u00ab Circuits et itin\u00e9raires des cin\u00e9mas d\u2019Am\u00e9rique latine. Vers la construction de la figure de \u201c cin\u00e9aste-auteur du Sud transnational \u201d\u00bb. In : Congr\u00e8s de la SFSCI,Soci\u00e9t\u00e9s et espaces en mouvement<\/em>, pp.478 – 485. [Disponible en ligne : https:\/\/hal.science\/hal-04878214v1<\/a>]<\/p>\n\n\n\n

Rueda, Amanda (2022). \u00ab Circuit festivalier et fictions du Sud. Digressions \u00e9pist\u00e9mologiques et m\u00e9thodologiques autour des \u00e9tudes sur les festivals de cin\u00e9ma \u00bb. In : Films, festivals et mondes contemporains. Pour une anthropologie du visuel<\/em>, Peter Lang, pp. 225 – 261.<\/p>\n\n\n\n

Rueda, Amanda (2022). Produire du cin\u00e9ma d\u2019auteur en Am\u00e9rique latine.<\/em> Pitchs, Workshop, Network : Des acc\u00e9l\u00e9rateurs de production des projets audiovisuels.<\/em>, SHS Editions \/ OpenCulture, pp.146 – 170. [Disponible en ligne : https:\/\/hal.science\/hal-03682627v1<\/a>]<\/p>\n\n\n\n

Entretiens r\u00e9alis\u00e9s par Rueda, Amanda (2023). \u00ab Festivals suspendus, pratique critique distendue ? Alliances cin\u00e9philes transatlantiques \u00bb. In :  Cin\u00e9mas d\u2019Am\u00e9rique latine<\/em>, 31, pp. 166-177.[Disponible en ligne : http:\/\/journals.openedition.org\/cinelatino\/11455<\/a>]<\/p>\n\n\n\n

Rueda, Amanda (2023). \u00ab Diversidad cultural y cines transnacionales de Am\u00e9rica Latina: entre relaciones asim\u00e9tricas y apuestas discursivas descoloniales \u00bb. In : Peter Lang. Din\u00e1micas transnacionales de la diversidad cultural : cine y literatura entre Francia y Am\u00e9rica Latina desde finales del siglo XX<\/em>, Peter Lang Group AG, 378 p.<\/p>\n\n\n\n

Rueda, Amanda (coord.) (2024). Festivals et dynamiques cin\u00e9matographiques transnationales.<\/em> L’Harmattan<\/a>, Cahiers des champs visuels, n\u00b0 27, Cailler, Bruno ;\u00a0 Taillibert, Christel, 242 p.<\/p>\n\n\n\n

Th\u00e8se dirig\u00e9e par Amanda Rueda<\/h2>\n\n\n\n

Suarez-Rios, Gustavo<\/a> (2021). La coproduction cin\u00e9matographique entre la France et la Colombie, de 2010 \u00e0 2016. Analyse des repr\u00e9sentations au sein des instances de production et de r\u00e9ception<\/em>. Th\u00e8se de doctorat en Sciences de l\u2019information et de la communication de l\u2019Universit\u00e9 Toulouse 2 \u2013 Jean Jaur\u00e8s sous la direction de Pierre Molinier et d\u2019Amanda Rueda.<\/p>\n","protected":false},"excerpt":{"rendered":"

Rueda, Amanda (2004). \u00ab Films latino-am\u00e9ricains, festivals fran\u00e7ais \u00bb. In : Caravelle, cahiers du monde hispanique et lusophone, n\u00b0 83, La France et les cin\u00e9mas d\u2019Am\u00e9rique latine, pp. 87-104. Rueda, Amanda (2006). M\u00e9diations […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-248","page","type-page","status-publish","hentry"],"yoast_head":"\nPublications d'Amanda Rueda - R\u00e9seau de Recherche Fran\u00e7ais sur les Festivals de Film<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/2r3f.fr\/index.php\/publication-damanda-rueda\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Publications d'Amanda Rueda - R\u00e9seau de Recherche Fran\u00e7ais sur les Festivals de Film\" \/>\n<meta property=\"og:description\" content=\"Rueda, Amanda (2004). \u00ab Films latino-am\u00e9ricains, festivals fran\u00e7ais \u00bb. 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