{"id":250,"date":"2023-06-27T10:08:11","date_gmt":"2023-06-27T08:08:11","guid":{"rendered":"https:\/\/2r3f.fr\/?page_id=250"},"modified":"2026-05-04T15:16:46","modified_gmt":"2026-05-04T13:16:46","slug":"publication-de-christel-taillibert","status":"publish","type":"page","link":"https:\/\/2r3f.fr\/index.php\/publication-de-christel-taillibert\/","title":{"rendered":"Publications de Christel Taillibert"},"content":{"rendered":"\n<p>Taillibert, Christel (2024). \u00ab Quand le dispositif festivalier construit un r\u00e9cit-monde. Le Festival de Douarnenez : une \u00e9tude de cas \u00bb. In : <em>Films, festivals et mondes contemporains. Pour une anthropologie du visuel<\/em>, Peter Lang, pp. 23-44.&nbsp;[Disponible en ligne : <a href=\"https:\/\/hal.science\/hal-04612885v1\">https:\/\/hal.science\/hal-04612885v<\/a>]<\/p>\n\n\n\n<p>Taillibert, Christel ; Vallejo, Aida (2023). \u00ab&nbsp;Finding allies in pandemic times: Documentary Film Festivals and streaming platforms \u00bb. In : De Valck, Marijke ; Damiens, Antoine (dir.), <em>Rethinking Film Festivals in the Pandemic Era and After,<\/em> Basingstoke (UK): Palgrave Macmillan, pp. 101 \u2013 128. [Disponible en ligne : <a href=\"https:\/\/shs.hal.science\/halshs-03929904\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/shs.hal.science\/halshs-03929904<\/a>].&nbsp;<\/p>\n\n\n\n<p>Taillibert, Chistel\u00a0; W\u00e4fler, John (2022). \u00ab\u00a0From Music to Film: On the Emergence and Stabilization of the Film Festival Concept in the 1930s\u00a0\u00bb. In\u00a0: <em>Cinergie \u2013 Il Cinema E Le Altre Arti<\/em>, vol. 11, n\u00b022, pp. 25-40.<\/p>\n\n\n\n<p>Taillibert, Christel; Vinuela, Ana (2021). \u00ab Festival Scope, a Festival-on-Demand Platform: Online Enhancing the Gatekeeping Power of Film Festivals \u00bb. In : <em>Society &amp; Leisure<\/em>, vol. 44, n\u00b01: Film festivals: Metamorphosis of a Research Object and Field, pp. 104-118. [Disponible en ligne :\u00a0<a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/07053436.2021.1899399\">https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/07053436.2021.1899399<\/a>]\u00a0<\/p>\n\n\n\n<p>Taillibert, Christel (2021). \u00ab Le panorama complexe de la non-distribution cin\u00e9matographique \u00bb. In : <em>Cahiers de Champs Visuels<\/em>, Les Films sans distributeur, 20-21, pp. 7-16.\u00a0[Disponible en ligne : <a href=\"https:\/\/shs.hal.science\/halshs-03341329v1\/document\">https:\/\/shs.hal.science\/halshs-03341329v1\/document<\/a>]<\/p>\n\n\n\n<p>Taillibert, Christel (2021). \u00ab\u00a0Les festivals\u00a0: un espace privil\u00e9gi\u00e9 pour accueillir les films sans distributeur\u00a0?\u00a0\u00bb. In\u00a0: <em>Cahiers de Champs Visuels<\/em>, Les Films sans distributeur, n\u00b020-21, Paris, L\u2019Harmattan, pp. 17-34. [Disponible en ligne : <a href=\"https:\/\/halshs.archives-ouvertes.fr\/halshs-03341332\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/halshs.archives-ouvertes.fr\/halshs-03341332<\/a>]<\/p>\n\n\n\n<p>Taillibert, Christel (2018). \u00ab&nbsp;New Perspectives for Online Film Festivals&nbsp;\u00bb. In : Jenkins, Tricia (dir.), <em>International Film Festivals. Contemporary Cutures and History Beyond Venice and Cannes.<\/em> London \/ New York, I.B. Tauris &amp; Co. \u00c9ditions, pp. 32-48.&nbsp; [Disponible en ligne : <a href=\"https:\/\/halshs.archives-ouvertes.fr\/halshs-02171572\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/halshs.archives-ouvertes.fr\/halshs-02171572<\/a>]&nbsp;<\/p>\n\n\n\n<p>Taillibert, Christel (2017). \u00ab&nbsp;Les Film Festival Studies, \u00e9l\u00e9ments pour une \u00e9pist\u00e9mologie d\u2019un nouveau champ de recherche&nbsp;\u00bb. In&nbsp;: <em>Diog\u00e8ne<\/em>, n\u00b0 258-259-260, pp. 139-153. [Disponible en ligne&nbsp;: <a href=\"https:\/\/halshs.archives-ouvertes.fr\/halshs-02938647\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/halshs.archives-ouvertes.fr\/halshs-02938647<\/a>]&nbsp;<\/p>\n\n\n\n<p>Taillibert, Christel (2017). \u00ab&nbsp;Festivals et patrimoine cin\u00e9matographique \u00e0 l\u2019heure du num\u00e9rique&nbsp;\u00bb. In&nbsp;: Morice, Jean-Ren\u00e9&nbsp;; Taddei, Jean-Claude&nbsp;; Van Peteghem-Tr\u00e9ard, Isabelle (dir.), <em>Territoires du cin\u00e9ma<\/em>. Paris, L\u2019Harmattan, pp. 19-37. [Disponible en ligne&nbsp;: <a href=\"https:\/\/halshs.archives-ouvertes.fr\/halshs-02174107\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/halshs.archives-ouvertes.fr\/halshs-02174107<\/a>]&nbsp;<\/p>\n\n\n\n<p>Taillibert, Christel\u00a0; W\u00e4fler, John (2016). \u00ab\u00a0<a href=\"http:\/\/www.tandfonline.com\/doi\/full\/10.1080\/17400309.2015.1106688\" target=\"_blank\" rel=\"noreferrer noopener\">Groundwork for a (pre)history of film festivals \u00bb.<\/a> In : <a href=\"http:\/\/www.tandfonline.com\/toc\/rfts20\/current\" target=\"_blank\" rel=\"noreferrer noopener\"><em>New Review of Film and Television Studies<\/em><\/a> [en ligne], Vol. 14, n\u00b0 1, pp. 5-21.\u00a0[Disponible en ligne : <a href=\"https:\/\/halshs.archives-ouvertes.fr\/halshs-02177501\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/halshs.archives-ouvertes.fr\/halshs-02177501<\/a>]<\/p>\n\n\n\n<p>Taillibert, Christel ; Cailler, Bruno (2016). \u00ab De l&rsquo;accessibilit\u00e9 \u00e0 la programmation \u00e9v\u00e9nementielle : les nouvelles strat\u00e9gies des acteurs de la mise \u00e0 disposition dans les domaines cin\u00e9matographique et audiovisuel \u00bb. In : <em>Les Enjeux de l&rsquo;information et de la communication<\/em>, 17\/3A(S1), pp. 49-59.&nbsp;[Disponible en ligne : <a href=\"https:\/\/doi.org\/10.3917\/enic.hs3.0049\">https:\/\/doi.org\/10.3917\/enic.hs3.0049<\/a>]<\/p>\n\n\n\n<p>Taillibert, Christel (2016). \u00ab&nbsp;La Ligue de l\u2019enseignement et les festivals de cin\u00e9ma&nbsp;: construction d\u2019un regard sur un nouvel outil au service de l\u2019\u00e9ducation populaire&nbsp;\u00bb. In&nbsp;: Gimello-Mesplomb, Fr\u00e9d\u00e9ric&nbsp;; Laborderie, Pascal&nbsp;; Souill\u00e9s-Debats, L\u00e9o. <em>La Ligue de l\u2019enseignement et le cin\u00e9ma. Une histoire de l\u2019\u00e9ducation \u00e0 l\u2019image (1945-1989)<\/em>, Paris&nbsp;: AFRHC, coll. Histoire culturelle, pp. 311-328. [Disponible en ligne&nbsp;: <a href=\"https:\/\/halshs.archives-ouvertes.fr\/halshs-02177233\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/halshs.archives-ouvertes.fr\/halshs-02177233<\/a>]&nbsp;<\/p>\n\n\n\n<p>Taillibert, Christel (2015). \u00ab&nbsp;Les nouveaux festivaliers <em>online<\/em>. Une \u00e9tude quantitative du public de <em>My French Film Festival<\/em>&nbsp;\u00bb In&nbsp;: <em>Les Cahiers de Champs visuels<\/em>, n\u00b012 \u2013 13, , Les nouvelles pratiques cin\u00e9philes (dir. Christel Taillibert et Jean-Paul Aubert),Paris&nbsp;: L\u2019Harmattan, pp. 123-182. [Disponible en ligne&nbsp;: <a href=\"https:\/\/halshs.archives-ouvertes.fr\/halshs-02173717\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/halshs.archives-ouvertes.fr\/halshs-02173717<\/a>]&nbsp;<\/p>\n\n\n\n<p>Taillibert, Christel (2015). \u00ab\u00a0Festivales y patrimonio cinematogr\u00e1fico en la era digital: la situaci\u00f3n francesa \u00bb. In\u00a0: <em>Secuencias<\/em> (Espagne), n\u00ba\u00a039, premier semestre, pp. 83-99. [Disponible en ligne en fran\u00e7ais : <a href=\"https:\/\/shs.hal.science\/halshs-03161036v1\">https:\/\/shs.hal.science\/halshs-03161036v1<\/a>]\u00a0<\/p>\n\n\n\n<p>Taillibert, Christel (2015). \u00ab&nbsp;Les festivals fran\u00e7ais aux prises avec l\u2019engagement citoyen&nbsp;\u00bb. In&nbsp;: Letort, Delphine&nbsp;; Fisbach, Erich. <em>La culture de l\u2019engagement au cin\u00e9ma<\/em>, Rennes&nbsp;: Presses universitaires de Rennes, 2015, pp. 19-45. [Disponible en ligne&nbsp;: <a href=\"https:\/\/halshs.archives-ouvertes.fr\/halshs-02177248\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/halshs.archives-ouvertes.fr\/halshs-02177248<\/a>]&nbsp;<\/p>\n\n\n\n<p>Taillibert, Christel (2014). \u00ab\u00a0Ph\u00e9nom\u00e8nes de circulations en festival\u00a0: l\u2019influence des nouvelles technologies\u00a0\u00bb. In\u00a0: <em>Miranda<\/em>, Revue pluridisciplinaire du monde anglophone [en ligne], n\u00b010, mis en ligne le 31 d\u00e9cembre 2014, <a href=\"http:\/\/miranda.revues.org\/6330\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/miranda.revues.org\/6330<\/a>, [Disponible en ligne :<a href=\"https:\/\/halshs.archives-ouvertes.fr\/halshs-02182983\"> https:\/\/halshs.archives-ouvertes.fr\/halshs-02182983<\/a>]\u00a0<\/p>\n\n\n\n<p>Taillibert, Christel (2012). \u00ab&nbsp;El papel de los festivales de cine en el desarrollo de las asociaciones de educaci\u00f3n popular en Francia&nbsp;\u00bb. In&nbsp;: Mart\u00ednez Hermida, Marcelo&nbsp;; Carme Mayugo i Marj\u00f3, Ana&nbsp;; Tamarit&nbsp;; Rodr\u00edguez (dir), <em>Comunidad y comunicaci\u00f3n-Pr\u00e1cticas comunicativas y medios communitarios en Europa y Am\u00e9rica Latina<\/em>, Real Code, Editorial Fragua, Biblioteca de Ciencias de la Comunicaci\u00f3n, Madrid, pp. 189-204. [Disponible en ligne en langue fran\u00e7aise : <a href=\"https:\/\/halshs.archives-ouvertes.fr\/halshs-02548178\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/halshs.archives-ouvertes.fr\/halshs-02548178<\/a>]&nbsp;<\/p>\n\n\n\n<p>Taillibert, Christel (2011). \u00ab&nbsp;L\u2019\u00e9ducation \u00e0 l\u2019image au sein des festivals d\u00e9di\u00e9s \u00e0 la cin\u00e9matographie hispanique en France&nbsp;\u00bb. In&nbsp;: <em>Les Cahiers du Grimh<\/em>, n\u00b07, Image et \u00e9ducation, Lyon, Le Grimh\/Passages, pp.&nbsp;85 \u2013 98. [Disponible en ligne&nbsp;: <a href=\"https:\/\/halshs.archives-ouvertes.fr\/halshs-02187580\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/halshs.archives-ouvertes.fr\/halshs-02187580<\/a>]&nbsp;<\/p>\n\n\n\n<p>Taillibert, Christel (2011). \u00ab&nbsp;Les festivals de cin\u00e9ma et audiovisuel&nbsp;: acteurs de la patrimonialisation&nbsp;\u00bb. In&nbsp;:&nbsp; Furt, Jean-Marie ; Fazi,Andr\u00e9 (dir.).<em> Vivre du patrimoine \u2013 Un nouveau mod\u00e8le de d\u00e9veloppement&nbsp;?<\/em> Corte, Universit\u00e0 di Corsica Pasquale Paoli\/L\u2019Harmattan, 2011, pp. 185-194. [Disponible en ligne&nbsp;: <a href=\"https:\/\/halshs.archives-ouvertes.fr\/halshs-02181751\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/halshs.archives-ouvertes.fr\/halshs-02181751<\/a>]&nbsp;<\/p>\n\n\n\n<p>Taillibert, Christel (2009). \u00ab&nbsp;Le paysage prot\u00e9iforme des festivals de cin\u00e9ma et d\u2019audiovisuel fran\u00e7ais&nbsp;\u00bb. In&nbsp;: Moeschler, Olivier&nbsp;; Th\u00e9venin, Olivier (dir.). <em>Les territoires de la d\u00e9mocratisation culturelle. \u00c9quipements, \u00e9v\u00e9nements, patrimoines&nbsp;: perspectives franco-suisses<\/em>. Paris, L\u2019Harmattan, coll. Logiques sociales, pp. 53-64. [Disponible en ligne&nbsp;: <a href=\"https:\/\/halshs.archives-ouvertes.fr\/halshs-02181789\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/halshs.archives-ouvertes.fr\/halshs-02181789<\/a>]&nbsp;<\/p>\n\n\n\n<p>Taillibert, Christel (2009). <em>Tribulations festivali\u00e8res \u2013 Les festivals de cin\u00e9ma et audiovisuel en France<\/em>. Paris, L\u2019Harmattan, coll.&nbsp;Logiques sociales, s\u00e9rie \u00ab&nbsp;\u00c9tudes culturelles&nbsp;\u00bb, 363 p.&nbsp;978-2-296-06937-4.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Taillibert, Christel (2024). \u00ab Quand le dispositif festivalier construit un r\u00e9cit-monde. Le Festival de Douarnenez : une \u00e9tude de cas \u00bb. In : Films, festivals et mondes contemporains. Pour une [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-250","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Publications de Christel Taillibert - R\u00e9seau de Recherche Fran\u00e7ais sur les Festivals de Film<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/2r3f.fr\/index.php\/publication-de-christel-taillibert\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Publications de Christel Taillibert - R\u00e9seau de Recherche Fran\u00e7ais sur les Festivals de Film\" \/>\n<meta property=\"og:description\" content=\"Taillibert, Christel (2024). \u00ab Quand le dispositif festivalier construit un r\u00e9cit-monde. 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