{"id":27,"date":"2023-06-23T08:58:51","date_gmt":"2023-06-23T06:58:51","guid":{"rendered":"http:\/\/2r3f.fr\/?page_id=27"},"modified":"2023-07-05T11:10:18","modified_gmt":"2023-07-05T09:10:18","slug":"theses-soutenues","status":"publish","type":"page","link":"https:\/\/2r3f.fr\/index.php\/theses-soutenues\/","title":{"rendered":"Th\u00e8ses soutenues"},"content":{"rendered":"\n

Vous avez soutenu une th\u00e8se sur les festivals de films et celle-ci n’appara\u00eet pas dans la bibliographie, vous pouvez nous soumettre la r\u00e9f\u00e9rence en suivant ce lien.<\/a><\/p>\n\n\n\n

Bourguiba, Sayda<\/a> (2013). Finalit\u00e9s culturelles et esth\u00e9tiques d’un cin\u00e9ma arabo-africain en devenir : les Journ\u00e9es Cin\u00e9matographiques de Carthage (JCC)<\/em>. Th\u00e8se de doctorat en Arts. Arts plastiques. Musicologie de l\u2019Universit\u00e9 de Paris 1 Sous la direction de Dominique Chateau.<\/p>\n\n\n\n

Cheyroux, Emilie<\/a> (2017). Le festival comme \u00e9v\u00e9nement reconfigurateur de st\u00e9r\u00e9otypes. Cine Las Americas et les Latinos (Austin, Texas, 1998-2017).<\/em> Th\u00e8se de doctorat en \u00c9tudes anglophones de l\u2019Universit\u00e9 de Sorbonne Paris Cit\u00e9 sous la direction de Divina Frau-Meigs.<\/p>\n\n\n\n

De Castro, Jennifer <\/a>(2017). Le Festival de Cannes et la promotion du cin\u00e9ma (1946-1972) : le 7\u00e8me art, un objet culturel prot\u00e9iforme au service du prestige national<\/em>. Th\u00e8se de doctorat en \u00c9tudes cin\u00e9matographiques et audiovisuelles de l\u2019Universit\u00e9 de Sorbonne Paris Cit\u00e9 sous la direction de Rapha\u00eblle Moine.<\/p>\n\n\n\n

Emmanuel, Nathalie<\/a> (2011). Le festival et le droit : essai sur la nature juridique d’un nouveau bien<\/em>. Th\u00e8se de doctorat en Sciences juridiques de l\u2019Universit\u00e9 de Grenoble sous la direction de Jean-Michel Brugui\u00e8re.<\/p>\n\n\n\n

Farine, Ana\u00efs<\/a> (2019). Imaginaire cin\u00e9matographique du \u00ab dialogue euro-m\u00e9diterran\u00e9en \u00bb (1995 – 2017) \u02f8 formes festivali\u00e8res, formes institutionnelles, forme<\/em>s alternatives. Th\u00e8se de doctorat en \u00c9tudes cin\u00e9matographiques et audiovisuelles de l\u2019Universit\u00e9 de Sorbonne Paris Cit\u00e9 sous la direction de Guillaume Soulez et de Agn\u00e8s Devictor.<\/p>\n\n\n\n

Garc\u00eda Bard\u00f3n, Xavier<\/a> (2017). Exprmntl. Une histoire du Festival du film exp\u00e9rimental de Knokke\/Bruxelles (1949-1974).<\/em> Th\u00e8se de doctorat en \u00c9tudes cin\u00e9matographiques et audiovisuelles de l\u2019Universit\u00e9 de Sorbonne Paris Cit\u00e9 sous la direction de Nicole Brenez.<\/p>\n\n\n\n

Guigay, Caroline<\/a> (2020). Le cin\u00e9ma au prisme de la dur\u00e9e. Les courts m\u00e9trages en France, entre institutionnalisation d\u2019une cat\u00e9gorie artistique et bouleversements num\u00e9riques (2000-2018).<\/em> Th\u00e8se de doctorat en \u00c9tudes cin\u00e9matographiques et audiovisuelles de l\u2019Universit\u00e9 de Sorbonne Nouvelle sous la direction de Laurent Creton.<\/p>\n\n\n\n

Jelenkovic, Dunja<\/a> (2017). Une histoire culturelle et politique du Festival yougoslave du film documentaire et du court-m\u00e9trage, 1954-2004. : Du soc<\/em>ialisme yougoslave au nationalisme serbe. Th\u00e8se de doctorat en Histoire de l’Universit\u00e9 Paris-Saclay sous la direction de Christian Delporte.<\/p>\n\n\n\n

Le Forestier, M\u00e9lanie<\/a> (2016). Imaginaires nationaux et dynamiques transnationales : \u00e9tude du cin\u00e9ma hatke en Inde<\/em>. Th\u00e8se de doctorat en Sciences de l’information et de la communication de l\u2019Univsersit\u00e9 de Toulouse 2 Jean Jaur\u00e8s sous la direction de Claire Chatelet et de Pierre Molinier. Disponible sur HAL theses : https:\/\/theses.hal.science\/tel-01587877v1<\/a><\/p>\n\n\n\n

Moine, Caroline<\/a> (2005). Le cin\u00e9ma en RDA, entre autarcie culturelle et dialogue international : une histoire du festival international de films documentaires de Leipzig (1949-1990).<\/em> Th\u00e8se de doctorat en Histoire de l\u2019Universit\u00e9 de Paris 1 sous la direction de Robert Frank et de \u00c9tienne Fran\u00e7ois.<\/p>\n\n\n\n

Rueda, Amanda<\/a> (2006). M\u00e9diations et constructions des territoires imaginaires des \u00abcin\u00e9mas latino-am\u00e9ricains\u00bb. Le cas des Rencontres des cin\u00e9mas d\u2019Am\u00e9rique latine<\/em>. Th\u00e8se de doctorat en Sciences de l\u2019information et de la communication de l\u2019Universit\u00e9 Toulouse 2 Jean Jaur\u00e8s sous la direction de Robert Boure et de Pierre Molinier.<\/p>\n\n\n\n

Sehanovic, Damir <\/a>(2022). Film festivals as platforms of cultural diplomacy in the Balkans (2010-2020) : the soft power of national image branding and cultural public relations<\/em>. Th\u00e8se de doctorat en Sciences de l’information et de la communication de l\u2019Universit\u00e9 de Bordeaux 3 sous la direction de Alain Kiyindou et de Divina Frau-Meigs.<\/p>\n\n\n\n

Sold\u00e9, Vivien<\/a> (2022). Le cin\u00e9ma dans l\u2019\u00e9ducation populaire en France : \u00e9tude comparative des r\u00e9seaux confessionnels et la\u00efques de la Lib\u00e9ration aux ann\u00e9es 1980<\/em>. Th\u00e8se de doctorat en Sciences de l’\u00e9ducation et de la formation de l\u2019Universit\u00e9 de Reims Champage-Ardenne sous la direction de Fran\u00e7oise Laot et Pascal Laborderie.<\/p>\n\n\n\n

Suarez-Rios, Gustavo<\/a> (2021). La coproduction cin\u00e9matographique entre la France et la Colombie, de 2010 \u00e0 2016. Analyse des repr\u00e9sentations au sein des instances de production et de r\u00e9ception<\/em>. Th\u00e8se de doctorat en Sciences de l\u2019information et de la communication de l\u2019Universit\u00e9 Toulouse 2 \u2013 Jean Jaur\u00e8s sous la direction de Pierre Molinier et d\u2019Amanda Rueda.<\/p>\n\n\n\n

Theurel, Fran\u00e7ois<\/a> (2011). Le spectateur en mouvement : perspectives et impacts de la diffusion cin\u00e9matographique num\u00e9rique sur les pratiques spectatorielles en milieu festivalier<\/em>. Th\u00e8se de doctorat en Sciences de l’information et de la communication de l\u2019Universit\u00e9 d\u2019Avignon sous la direction d’Emmanuel Ethis.<\/p>\n\n\n\n

Yu, Chia-Fang<\/a> (2018). Du cultuel au culturel : les mutations du festival des fant\u00f4mes de Keelung Zhongyuanjie XXe-XXIe si\u00e8cle<\/em>. Th\u00e8se de doctorat en Histoire artistique et culturelle de l\u2019Universit\u00e9 de Sorbonne Paris Cit\u00e9 sous la direction de Catherine Bertho-Lavenir.<\/p>\n","protected":false},"excerpt":{"rendered":"

Vous avez soutenu une th\u00e8se sur les festivals de films et celle-ci n’appara\u00eet pas dans la bibliographie, vous pouvez nous soumettre la r\u00e9f\u00e9rence en suivant ce lien. Bourguiba, Sayda (2013). […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-27","page","type-page","status-publish","hentry"],"yoast_head":"\nTh\u00e8ses soutenues - R\u00e9seau de Recherche Fran\u00e7ais sur les Festivals de Film<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/2r3f.fr\/index.php\/theses-soutenues\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Th\u00e8ses soutenues - R\u00e9seau de Recherche Fran\u00e7ais sur les Festivals de Film\" \/>\n<meta property=\"og:description\" content=\"Vous avez soutenu une th\u00e8se sur les festivals de films et celle-ci n’appara\u00eet pas dans la bibliographie, vous pouvez nous soumettre la r\u00e9f\u00e9rence en suivant ce lien. 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