{"id":33,"date":"2023-06-23T09:06:00","date_gmt":"2023-06-23T07:06:00","guid":{"rendered":"http:\/\/2r3f.fr\/?page_id=33"},"modified":"2026-03-03T16:09:12","modified_gmt":"2026-03-03T15:09:12","slug":"actualites","status":"publish","type":"page","link":"https:\/\/2r3f.fr\/index.php\/actualites\/","title":{"rendered":"Actualit\u00e9s"},"content":{"rendered":"\n

Nous avons le plaisir de vous annoncer la parution des deux num\u00e9ros 27 et 28 de Cahiers des Champs visuels<\/em> d\u00e9di\u00e9s aux festivals des films.<\/p>\n\n\n\n

    \n
  1. Festivals et dynamiques cin\u00e9matographiques transnationales<\/strong>, Cahiers des Champs visuels <\/em>n\u00b0 27<\/strong><\/li>\n<\/ol>\n\n\n\n
    \"\"<\/figure>\n\n\n\n

    https:\/\/www.editions-harmattan.fr\/catalogue\/livre\/festivals-et-dynamiques-cinematographiques-transnationales\/77311<\/a><\/p>\n\n\n\n

    Organis\u00e9 en deux volumes, le dossier de la revue Cahiers de<\/em> Champs visuels<\/em> issu du colloque \u00ab Festivals et dynamiques cin\u00e9matographiques transnationales. Formes de production, de circulation et de repr\u00e9sentation \u00bb, qui a eu lieu \u00e0 Toulouse en 2022, entend poser un jalon important dans la structuration des Film Festival Studies<\/em> en France. Il offre des travaux qui multiplient les cadres d\u2019analyse au service de l’interdisciplinarit\u00e9 et de la transculturalit\u00e9 de la recherche sur les festivals de cin\u00e9ma tout en contribuant \u00e0 contribuer \u00e0 la dynamisation du champ des \u00e9tudes sur les festivals de films en France et \u00e0 l\u2019international. En croisant des approches micros et des approches plus globales, c<\/a>e premier volume soul\u00e8ve des probl\u00e9matiques articul\u00e9es autour des th\u00e8mes suivants : le rapport entre festivals et march\u00e9, la circulation des films et les rapports complexes que les festivals de films entretiennent entre ancrage local et national et ouverture internationale, la l\u00e9gitimation et la canonisation des films et des cin\u00e9astes, la question des acteurs multiples qui participent des dynamiques festivali\u00e8res et de processus de l\u00e9gitimation des films et des cin\u00e9astes et, enfin, le questionnement m\u00e9thodologique et \u00e9pist\u00e9mologique propre aux \u00e9tudes sur les festivals de films.<\/p>\n\n\n\n

    2. Cin\u00e9mas nationaux et dynamiques transnationales<\/em><\/strong>, Cahiers des Champs visuels <\/em>n\u00b0 28<\/strong><\/p>\n\n\n\n

    \"\"<\/figure>\n\n\n\n

    https:\/\/www.editions-harmattan.fr\/catalogue\/livre\/cinemas-nationaux-et-dynamiques-transnationales\/79598<\/a><\/p>\n\n\n\n

    Si le num\u00e9ro 27 des Cahiers de<\/em> Champs visuels<\/em> a r\u00e9uni des contributions qui d\u00e9cryptent les enjeux \u00e9conomiques, culturels, g\u00e9opolitiques et diplomatiques propres aux circuits des festivals de films, tout en croisant la question des \u00ab dynamiques transnationales \u00bb, ce num\u00e9ro rassemble des recherches r\u00e9alis\u00e9es en France et dans des universit\u00e9s \u00e9trang\u00e8res sur des cin\u00e9mas nationaux de plusieurs pays. La tentative de r\u00e9unir plusieurs dynamiques nationales dans une perspective transnationale rend compte des aspects communs \u00e0 la production cin\u00e9matographique contemporaine \u00e0 vis\u00e9e internationale dans des pays comme la Colombie, le Chili, le Liban, la Tunisie, le Maroc, la Syrie et le Rwanda. Les diff\u00e9rentes contributions permettent de voir, d\u2019une part, combien la question transnationale dans le champ des \u00e9tudes sur les cin\u00e9mas contemporains peut \u00eatre reli\u00e9e \u00e0 celle des dynamiques de production \u00e0 la fois des cin\u00e9mas nationaux et du cin\u00e9ma d\u2019auteur au sein du Sud global\u00a0; d\u2019autre part, de saisir cet espace transnational complexe o\u00f9 se jouent \u00e0 la fois la communication interculturelle, des conventions esth\u00e9tiques, des r\u00e9seaux de relations de coop\u00e9ration et des rapports asym\u00e9triques entre des nations.<\/p>\n\n\n\n

    * * * * * <\/p>\n\n\n\n

    Les 7 et 8 octobre 2024<\/strong>, le r\u00e9seau 2R3F organisera \u00e0 Nice son premier colloque, qui s’intitulera : \u00ab\u00a0Penser les festivals de films. Approches universitaires, institutionnelles et professionnelles : regards crois\u00e9s<\/strong>\u00ab\u00a0. N’h\u00e9sitez pas \u00e0 consulter l’appel \u00e0 communication<\/a><\/strong>, vos propositions d’intervention sont les bienvenues !<\/p>\n\n\n\n

    * * * * *<\/p>\n\n\n\n

    Mars 2024 : parution de Films, festivals et mondes contemporains. Pour une anthropologie du visuel<\/em>, aux \u00c9ditions Peter Lang. L’ouvrage est dirig\u00e9 par Julie Amiot-Guillouet, Pietsie Feenstra et Julie Savelli. <\/p>\n","protected":false},"excerpt":{"rendered":"

    Nous avons le plaisir de vous annoncer la parution des deux num\u00e9ros 27 et 28 de Cahiers des Champs visuels d\u00e9di\u00e9s aux festivals des films. https:\/\/www.editions-harmattan.fr\/catalogue\/livre\/festivals-et-dynamiques-cinematographiques-transnationales\/77311 Organis\u00e9 en deux volumes, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-33","page","type-page","status-publish","hentry"],"yoast_head":"\nActualit\u00e9s - R\u00e9seau de Recherche Fran\u00e7ais sur les Festivals de Film<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/2r3f.fr\/index.php\/actualites\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Actualit\u00e9s - R\u00e9seau de Recherche Fran\u00e7ais sur les Festivals de Film\" \/>\n<meta property=\"og:description\" content=\"Nous avons le plaisir de vous annoncer la parution des deux num\u00e9ros 27 et 28 de Cahiers des Champs visuels d\u00e9di\u00e9s aux festivals des films. https:\/\/www.editions-harmattan.fr\/catalogue\/livre\/festivals-et-dynamiques-cinematographiques-transnationales\/77311 Organis\u00e9 en deux volumes, […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/2r3f.fr\/index.php\/actualites\/\" \/>\n<meta property=\"og:site_name\" content=\"R\u00e9seau de Recherche Fran\u00e7ais sur les Festivals de Film\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=100093713633073\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-03T15:09:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/2r3f.fr\/wp-content\/uploads\/2026\/03\/CCV-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"708\" \/>\n\t<meta property=\"og:image:height\" content=\"1128\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/2r3f.fr\/index.php\/actualites\/\",\"url\":\"https:\/\/2r3f.fr\/index.php\/actualites\/\",\"name\":\"Actualit\u00e9s - 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